Alright, so I think I managed to take everyone’s *wonderful* ideas and condense them into 7 aspects that I think capture everything people were wanting to see, based on the aspects they posted.
Here’s the list:
Steal Everything Nailed Down: You steal stuff. Even when it’s nailed down, and especially when you’re anxious. A normal person might pull out a fidget cube and futz with it when she’s nervous. When you’re nervous, you steal her cube. This also means you’re very very good at theft. So good in fact, you can steal her cube without her noticing. Right away. Unfortunately, people tend to eventually notice when you’re constantly stealing their stuff.
The Good Is The Enemy of the Perfect: You are a master planner with acute attention to detail, and a strong work ethic. You will plan a caper down to the smallest detail, and think of (almost) every possible way things could go wrong, and devise a plan for that too. Unfortunately, even you can’t think of everything and you really can’t handle it when things go sideways. You also detest settling for “good enough” and will strive for “perfect” even when you don’t have time or are otherwise under pressure to get something done.
Born Dom(me): You are smooth, sexy and able to convince damn near anyone to drop their pants, and/or go over your knee(for fun or otherwise). Very useful when you’re looking for information, need to distract a guard, or just want to blow off steam. On the other hand, you’re sometimes a little *too* confident in your dominant sexiness. As a result, it’s not that hard for crafty individuals to turn the tables on you either because they saw through your act, aren’t interested (and may, in fact, be a little insulted), or are a Born Sub whose just plain better at seduction than you. Also, your natural dominance may rub some people the wrong way, intimidate them too much to be helpful, or cause you to ignore them even when you shouldn’t. This is the dominant version of Born Sub.
Born Sub: You are playful, sexy and able to convince damn near anyone to jump your bones, or put you over their knee for a little bit of fun. All it takes is a little wiggle of your round, full, excessively spankable ass, and a taunting wink. Very useful when you’re looking for information, need to distract a guard, or just want to blow off steam. On the other hand, you’re sometimes a little *too* confident in your cheeky sexiness. As a result, it’s not that hard for crafty individuals to turn the tables on you either because they saw through your act, aren’t interested (and may, in fact, be a little insulted), or are a Born Dom that’s just plain better at seduction than you. Also, you have a hard time telling people “no” and may find yourself doing what they tell you, even if you don’t want to. Usually you can turn this to your advantage. But not always. This is the submissive version of Born Dom(me).
Vixen Smile: You’ve got one of those smiles. You know the ones, full of mischief and naughty glee. People look at you and immediately assume you’re up to no good. Someone put a pin on the teacher’s chair? You’re the one who ended up over her knee and howling whether you did it or not. This has gotten you into all sorts of trouble. But it also means you have lots of experience being in trouble, and are thus very well equipped to handle it. You have also learned to use your mischievous grin to distract people away from your *real* mischief to something small and inconsequential. This is the naughty counterpart to Puppy Dog Eyes.
Puppy Dog Eyes: You have big, soulful eyes, and the best damn pout this side of the Atlantic, and you know it. People take one look at you and your innocent, cherubic face and they refuse to believe you could possibly be up to any mischief. Unfortunately, your cute, youthful face makes it really hard for people to take you seriously. Adorableness dialed up to 11 is great when you’re getting out of trouble, not so great when you want people to take you seriously. This is the innocent counterpart to Vixen Smile.
Luck Favors the Clumsy: You are simultaneously the clumsiest, most unlucky person on the planet, *and* the luckiest person on the planet. If there’s something fragile nearby, you will fall and break it. If there’s a patch of ice, you will slip and fall on it. Probably into something fragile, even if makes no damn sense for a fragile vase worth thousands of dollars to be sitting on a marble stand next to a patch of ice. Of course, because you slipped on the ice, the superheroine flying towards you at superhuman speed zoomed over you instead of into you, and got herself stuck in a wall. Meanwhile, Steel Jaws of Doom snapped from the ceiling and would have captured you if they weren’t being wedged open by that marble stand you knocked over. And sure, you dropped the precious jewel you stole, but it bounced off the floor, conked its owner on the nose and landed back in your lap.
Of these, Born Dom(me) and Born Sub are dominant/submissive variants on the same scene, and will tend to apply in the same situations. They’re really just dom/sub variants of a generic “Seducer with Spankings.” Heavily inspired by When In Doubt, Sub It Out, and tries to incorporate some of the seduction themes of a few suggested aspects.
Meanwhile, Vixen Smile and Puppy Dog Eyes are my take on the Guilty Aura and Innocent Aura respectively. Steal Everything Nailed Down captures the kleptomania that Wildfire suggested and The Good Is The Enemy of the Perfect tries to capture most of the ideas suggested for elaborate plots, being an egghead, and not handling things well when they fall apart.
Note that *none* of these are the aspects I started with. So, thank a lot everyone! Your ideas really helped me come up with some good, fun aspects I think, and I’m excited to start writing.
Here is also a link to the easiest part of the game to create, its intro screen! This screen provides a (mostly) brief explanation of the game’s mechanics, and allows you to create and customize your character. I would be grateful if people could take the time to look it over and provide feedback.
Blubb2 was kind enough to look over it a while back, before we’d come up with aspects, and helped me squash a bunch of bugs, so many thanks Blubb2!
Things seem to have settled down on the Scarlet Moon front. I think we’ve gotten most bugs fixed (though if you ever run into any, please let me know). So now we can start thinking in earnest about what comes next: Mischievous Misfortune.
As I start working on Mischievous Misfortune, I’ll be periodically posting some thoughts and questions. These will mostly be musings that I’m looking for feedback on. This is going to be another multi-year project, and I want to make sure it’s something that both I and all of you can get a lot of enjoyment out of.
The first question is what features can be safely dropped. It seems with every year I get busier, so one thing I will be looking at is if there is anything we can cut from Mischievous Misfortune compared to Scarlet Moon. At the same time, one of the big selling points of Scarlet Moon is the detailed character customization. I don’t want to lose that. The question is: Is there anything that isn’t worth the effort?
For example, you will still be able to pick your gender. I’ve interacted with quite a few fans who really like being able to make their character male. So gender selection will still be there. On the other hand, there won’t be any combat. While I have interacted with a few people who like the combat, many of you just skip it entirely, and combat is *a lot* of work. By dropping combat, not only will I no longer have to worry about implementing and balancing the various powers that each character possesses, but it also means I can use Twine, which will make Mischievous Misfortune *much* more portable than Scarlet Moon. So gender is in, combat is gone.
But what else? How important is bodytype and musculature to people? Would anyone be acutely disappointed if the PC has a big, soft bottom and (if they’re a girl) ample (though reasonably realistic) breasts? Letting the player change the bodytype might not seem like much, but it does make the spanking scenes a fair bit harder to write. I have a much harder time when I don’t have a clear image in my head of what the spankee looks like, and having to write small variations for each bodytype interrupts the flow. This scene in Samantha Stone gives a pretty good idea of how much better my spanking scenes are when I have a clear sense of what the spankee looks like: Samantha spanking.
Even if we keep bodytype and musculature I’d probably want to limit both to just two options. bodytype will have “slender” and “voluptuous” while musculature will have “soft” and “fit.”
Height we will definitely keep, but will probably be simplified to “short”, “average”, and “tall.” Outside of some of the buildup, and when describing other characters, height doesn’t generally have a huge impact on the spanking scenes, so that one’s very low effort for me. Similarly for hairlength, hairstyle, and skin color.
Clothing definitely isn’t going anywhere. Clothing can be a lot of work, but clothing is a big part of a spanking for me, and something that other people tend to gloss over, so I want to make sure people have plenty of options there.
On the flip side, is there a customization option that people wished we had in Scarlet Moon, that they would like to see in Mischievous Misfortune? Clothing they would like to see? Hair styles? Now is the time to ask!
When I posted a link to the cutting room floor (here), I forgot that the files were using a custom filetype “story” that Scarlet Moon works with. They’re just plain text, so you can open them with any text editor. However, that still seems unnecessarily complicated, so below you can find a new version, where the filetypes have been changed to “txt” which your OS will recognize.
I would recommend using WordPad rather than Notepad on Windows. Notepad may not display line breaks correctly, and you’ll end up with a badly formatted blob.
New version of the cutting room floor with the filetype changed: cutting room floor
First, a reminder that Scarlet Moon is now complete, barring inevitable bug fixes. You can get it over at the Downloads section. Check out this post for more details.
While talking to Blubb2 one day, I mentioned that I’d started at least one sex scene between the PC and David, before abandoning it because I didn’t feel like it really fit in with the rest of the game. He voiced an interest in seeing it, and I still had it, plus a few other abandoned scenes lying around, so I figured I’d share it here
for people who are interested.
There are three scenes:
1. The aforementioned scene with David. It takes place at the end of the scene at the club in episode 5. It doesn’t ever actually *get* to the point of penetration, but there is some dirty talk, buildup and David acting all dominant and stuff.
2. The current villain for Episode 5 is Leopard. However, I’d originally planned to have a woman who could grow to giant size and has rather strong views on how women should dress. This scene is the start of “Big Mama’s” introduction. I abandoned this villain partially because I don’t particularly enjoy the “spanked for being slutty” premise (slut shaming is that unholy intersection of abhorrent and ubiquitous, so I have a hard time enjoying it in a spanking scene), and partially because I decided that when I did introduce a “Big Mama” character, I wanted her to be a bit more ambiguous than the out-and-out villain she is here.
3. A fragment from an early version of Episode 7, where Scarlet Moon and her companions would be trapped between the friendlier (but still spank-happy) Big Mama, and a giant villain named Trinity.
You can get them here
I have other such abandoned scenes and plotlines floating around in my version control, so if people are interested, I might be able to find some time to go dredging those up.
Spankers, Spankees, and Switches,
Haven’t been super productive this month, real life has been keeping me busy. But I’ve been chipping away at the next episode when I’ve got the time. Blubb2 over at AnimeOTK has been kindly helping me with some editing and feedback. Their suggestions have been very good, and very helpful, thanks Blubb2!
I’ve also been starting to give some thought to what comes after Scarlet Moon. I’ve been tight lipped about my longterm plans, mostly because they tend to change and I don’t want to set up false expectations. My current plan is to complete the first big myth arc (the “mysterious evil person”) in episode 10. So we’re getting pretty close. While I’ve been laying the foundation for some additional arcs, I think once I complete this arc I’ll slap a “Done!” sticker on it and call Scarlet Moon complete.
The question will be what comes after. Most likely, I’ll start up a Scarlet Moon 2. I still have plenty of story ideas, and I’m having lots of fun writing these characters. The advantage of starting a new game is that will give me the freedom to futz with things a little. In particular, I’m thinking that for a second game, I’ll move away from the current Wizardry-style RPG combat and to something more narrative. So “combat” will just be a sequence of narrative then skill check then more narrative then skill check. The player passes enough skill checks, they win. They fail enough checks, they lose.
This is mostly a time saving thing. As I get older, I have fewer large blocks of time. I can write prose a little bit here, and a little bit there. But writing and debugging code…for that I need a big chunk of time where I can’t be interrupted. So if I want to keep developing games (and I do!) I need to find a mechanically satisfying way of having less coding.
Fortunately, I think I have an idea! My inspiration is the Fate Roleplaying System. I think this is a *great* system for a spanking game for one very simple reason: It rewards the player for letting their character get in trouble! Basically, the only resource you have are “Fate Points” and you use fate points to help you pass skill checks. You get more fate points by taking “compels” which are basically “If you let this bad thing happen to your PC, you’ll get a Fate point that lets you be awesome later.”
This is actually really great, because I’ve struggled really hard to figure out how to incorporate PC spankings into the mechanics of a spanking game. The obvious thing to do is make the PC get spanked for failure, or doing something dumb, since spankings are punishments. This is more or less what happens in Pierce’s books (though you also get spanked for just existing). The problem is that this introduces clashing incentives: the player wants to do well at the game, but many also want to role play a brat whose constantly getting her ass smacked. That’s not satisfying. My approach for Scarlet Moon was to punt. Spankings have no mechanical impact, so you don’t have to play poorly to get your character spanked. However, that’s not satisfying either.
But if the player gets *rewarded* for letting the *PC* get punished…Hmm. Now your incentives align. You want to do well at the game, you’re gonna need Fate points. You want to get Fate points, gotta let your PC fail (or do something stupid) and get their ass smacked.
Furthermore, your character would also have “Aspects” that represent facets of your character, for example “Absent Minded Genius.” You need Aspects, because you can’t just spend and gain Fate points willy-nilly. There needs be an Aspect that justifies spending (or receiving) the Fate point. So for example, if you’re taking a test, you could spend a Fate point to “invoke” “Absent Minded Genius” to get a bonus on your roll to pass the test. If on the other hand, you’re in class, you can gain a Fate point by being “compelled” on “Absent Minded Genius” so that you’re not paying attention. These are really nice, because I’ve found that these aspects really get my creative juices flowing. If a possible aspect the player can have is “Absent Minded Genius” I find myself constantly asking the question “What kinds of challenges might the player encounter that an ‘Absent Minded Genius’ would excel at? What kind of situations would get such a person in trouble?”
To play around with the idea a bit, I started a side game that does what I have in mind. It’s nowhere near completion, but it should do a good job of giving people a taste: Samantha Stone. This is just a straight HTML file, so you’d have to track the state yourself. Obviously, for a Scarlet Moon sequel, I’d tweak the engine a bit (which won’t be hard) to track your Spankens and what not for you.
What are people’s thoughts? Does this seem like a fun idea? Any problems with it?
I know some people really like the combat, but my hope is that this system will allow me to give people a game that is both mechanically satisfying, and doesn’t require a ton of constant coding work on my end.
A new version has been uploaded. There isn’t any new content, instead a new
combat system has been introduced. The big changes are the introduction of
1. Attack – This is how much damage you do. It’s base value is strength +
2. Defense – This is how much damage you reduce enemy attacks. It’s base value
3. Shield – This is effectively temporary hitpoints. Whenever an enemy damages
you, it reduces your shield stat before it reduces your energy. For example,
suppose you have a shield stat of 5, and an enemy does 3 damage to you. Then
they will do 0 damage, and your shield will be reduced to 2. If they do 3
damage to you *again*, then they will reduce your shield to 0 and do 1 damage
to you. By default, shield is 0, but powers can be used to increase it.
4. Retaliation – This behaves just like shield, except instead of blocking
damage, you retaliate. For example, suppose you have a retaliation of 5 and an
enemy does 3 damage to you. Then, you take 3 damage, do 3 damage to them, and
your retaliation is reduced to 2. If they do 3 damage to you *again*, then they
do 3 damage to you, you do 2 damage to them, and your retaliation is reduced to
0. Note that retaliation ignores defense, so it can be a great way of damaging
enemies with high defense. However, it is blocked by shields.
Buffing and debuffing powers now increase and decrease attack, defense, shield
and retaliation. Most of Scarlet Moon’s powers are the same, except:
1. Scarlet Chords now increases attack and defense based on your Power stop,
rather than increasing your speed based on your Strength. Furthermore, if you
are inflicted with Away at the start of your turn, Scarlet Chords automatically
cures you of it at the start of your turn (rendering you effectively immune to
2. Scarlet Fists and Scarlet Eyes work the same they did before, except they no
longer inflict a status. This means that they don’t increase your attrition,
they cannot be disrupted by spankings, and they remain in effect until you
3. Scarlet Beam uses your attack stat, rather than your Power stat. This is so
that Scarlet Fists more obviously increases your damage output (before it
increased your Attack damage, but reduced your Shoot damage, which was lame).
Shoot does not trigger retaliation, but is not affected by your weapons.
4. S-Armor – Now increases Scarlet Moon’s shield stat, rather than increasing
1. Tailwind – Increases all allis’ attack.
2. Headwind – Decreases all enemies’ attacks.
3. Wind tunnel – increases Tempestas’ retaliation.
4. Twister no longer inflicts damage on a character when they are inflicted
with Away. Instead, it does damage at the end of their turn if they are
inflicted with Away. What this means is that Scarlet Moon is effectively immune
to Twister if she is inflicted with Scarlet Chords, because that removes Away
at the start of her turn. Twister also cures Tempestas of Away and gives her a
bonus to her attack that lasts one round.
5. Airburst – Works the same way it did before, except it inflicts Away for a
minimum of two rounds.
1. Armor – Increases Anklyana’s Defense.
2. Bubblesaurus – Reduces her energy, and increases an ally’s shield by the
same amount (basically, she gives her energy to someone else as temporary
hitpoints). Note that this *does not* inflict a status, which means it stacks,
and it cannot be disrupted by spankings.
3. Wallsaurus – Increases a target’s defense, and decreases their attack by the
Also, the game now tells you at the start of every combat whether or not
winning that battle is optional.
Hopefully, people find this combat system fun and well-balanced (Lord knows
it’s a lot simpler to implement at least). Feedback is much appreciated.
In a truly shocking development, the new content is ready, just like I
promised at the start of June. This version includes the first day
of content for episode 4. Get it at the Downloads section!
I’ve made a *lot* of changes to other things since the end
of episode 3, both in the UI and in gameplay. Some of these changes
were introduced in later version of the day 3 content, but if you’ve
been holding off on downloading until you get new content, here’s
1. Keyboard commands haven’t changed, but everything’s been given a mouse
clickable button, and moved to other screens to keep the UI from being
2. Easier to look at the powers for each character.
3. Your bum status is shown via emojii rather than sentences.
4. Spankings disrupt the spankee’s best buff.
5. Each point in speed grants .5 damage, and .5 defense.
6. Buzzsaw and Succubus can now inflict Grabbed, which reduces your speed to 0.
7. For Windtunnel, you now select the character whose next attack you’d like to
redirect, and the character who should be the new target rather than the
*target* of an attack you’d like to redirect.
The more long-winded version:
– The various utility commands (i.e. (T)itle Screen, (O)ptions) have been
moved behind a mouse-clickable button, and been given mouse-clickable
buttons as well. Same for the more dynamic combat commands (like (a) attack,
or (b) power), and story choices (like 1. Punch her in the face!).
*None* of the keyboard commands have changed. I’ve simply moved a few things
around to make the main story and combat screen less crowded.
– The UI is now fully navigatable with the mouse. It’s a bit awkward. You
typically need two mouse clicks for one keyboard command, but it’s doable,
and looks pretty okay on smaller computer screens.
– It’s now *much* easier to look at character powers, because you don’t have
to go back to the main screen to look at a different power. For example, if on the combat
screen you press (F1) to look at Scarlet Moon’s powers, then press
(a), then (b), it’ll show you the information for s-armor, and then s-beam.
You can then press (1) to look at the powers for the villain you’re fighting,
without having to go back. Furthermore, if you’re inspecting
the powers for the currently active character, you can press (Enter) to use
– The game no longer prints the power descriptions in the main
combat feed when you select one through (p)ower. I found that to be painfully
noisy while I was testing. However, I also have every power baked into my bones,
so if you liked the old behavior, raise a stink, and I’ll either revert the
behavior, or (more likely) add an option that allows you to toggle it.
– Rather than displaying rather long winded sentences describing your character’s
bum status, the game now uses emojis. They’re much more concise, and I find them
amusing. The emojis are, in order from least sore to most sore:
I still write sentences behind the scene (the game just counts up how many
sentences Scarlet Moon has), so if people prefer the descriptions, raise a stink.
I can either revert the change or (more likely) add yet another option.
– The formula for damage from basic attacks (and shoots) has been changed.
Before, it was max(1, attacker.strength – max(0, target.speed –
attacker.speed)). However, this made speed a rather baroque, and powerful stat.
Basically what this means is that if your character is slower than your
opponent, increasing speed increases the damage you do by 1. If your character
is faster, increasing speed decreases the damage you take by 1. I
felt like there was never any reason to take a strength point if you
understood speed, which was hard to understand. After all, speed basically
gives you the same thing, or increases your defense if you’re already fast.
The new formula is: max(1, attacker.strength + floor(attacker.speed / 2) – floor(target.speed / 2)).
In other words, every even point of speed grants you one additional damage and one additional
defense. This is much easier to understand, and makes both strength and speed viable.
Increase strength and you’re all but guaranteed to do an extra point of damage. Increasing
speed may or may not give you anything just yet, but when it does, it’s a pretty big payoff.
This also means that characters are doing much more damage than they were before.
– Spankings no longer increase the spankee’s strength, while reducing their speed and power.
Instead, spanking does two things:
a. Inflict the spanked status. Spanked doesn’t actually do anything on its own, but is
looked for in other parts of the game. For example, Succubus’ AI won’t use her OTK power
(where she tries to get the player to bend over her knee) if she’s been spanked.
b. Reduce the duration of the target’s best buff by max(1, spanker.strength – spankee.strength)
– Buzzsaw’s chainwhip power inflicts the new status Grabbed. Similarly,
Succubus’ OTK power inflicts OTK and Grabbed. Grabbed is a nasty status that
drops the target’s speed to 0. That doesn’t stop you from
increasing your speed after you’ve been grabbed though.
– Tempestas’ Windtunnel has been tweaked a bit. First, it’s much cheaper now (10 energy
rather than 20). Second, instead of selecting an ally who could be targeted, you now
select the enemy (or ally, whatever) whose attack you’d like to redirect, followed by
the target you’d like to redirect the attack to. Windtunnel was intended as a way of
turning Prometheus and Poseidon against each other. Fling some of Prometheus’ fireballs
at Poseidon, and laugh as some of his buffs get disrupted. However, I found it nigh
impossible to use effectively the old way because you had to predict who Prometheus
would attack first, and hope Poseidon didn’t get to them before her (or vice versa).
Now, you can guarantee that
Prometheus’ powerful fireball is going to be redirected, rather than Poseidon’s
Hopefully these are all for the better, but if anything rubs you the wrong way,
or feels unbalanced please let me know.
Finally, I would greatly appreciate it if you all posted your stats at
the end of the new content, and let me know which powers you rely on, which ones you
ignore, and which ones you use situationally. This will help me determine if some
powers/stats are over or underpowered. Could also help players who are struggling with the
It will also help me make sure the stat checks are as hard/easy as I intend them to be.
Here’s my character’s stats:
She tries, bless her heart, but Scarlet Moon just can’t seem to catch a break. Every
villain’s spanked her at least once at this point, and it seems like she can’t go
ten minutes in her normal life without being upended. That being
said, she always manages to come through in the clutch.
She relies heavily on Scarlet Focus to get buffed quickly. Generally, she’ll
use scarlet-fists, scarlet-feet, or scarlet-eyes before using a power that
relies on those stats to get the most out of them. Scarlet-armor and Scarlet
Cords are her bread and butter, and make her very resilient. She’s been relying
heavily on scarlet-staff lately because of all the multi-target battles she’s
been in. Scarlet-spring and scarlet-paddle are a bit more situational,
depending on how nasty her opponent’s regular attack or buff is. She doesn’t
use scarlet-beam much, though she will pull it out for a bit of extra damage
once she’s otherwise buffed.
Despite my character’s *dismal* record, I do try to make sure every battle
is winnable. I just get a kick out of watching Scarlet Moon get her righteous
ass smacked all over Generica, so I’ll generally let myself lose once I’ve figured
out how to win.
Spankers, Spankees and Switches,
I’m cranking away at the first day of the next episode. I’ve finished writing all the content, and I’m currently working on implementing the powers for the new villain. Then I’ll need to do a pass of editing the story content, followed by debugging the new content, followed by balancing the new villain. I’m also making a few tweaks to some of the combat that will be included with episode 4 day 1:
1. Speed will just straight up reduce the amount of damage you take. Currently, most damage is calculated by computing max(1, attacker.strength – max(0, (target.speed – attacker.speed))). This had the effect of making Speed a bit too weird. If you had a low speed (relative to your opponent), increasing it by 1 increased your damage by one. If you had a high speed, increasing it by 1 reduced the damage you took by 1. This meant that some powers (like Scarlet Fists) weren’t as useful as they appeared. Sure your strength goes up, but your damage output doesn’t go up as much as your strength does, unless you already have a very high speed. The new formula is max(1, attacker.strength – target.speed). So the trade off is much more straightforward.
2. All the spanking powers (so Scarlet Paddle, and Succuspank) now also reduce the duration of the spankee’s “best” buff. If the duration gets reduced to zero or one, the buff gets removed. I’ve hardly ever used Scarlet Paddle in my play testing, because while Humiliated is nice, I’ve never really found it worth the turn to setup, except against Succubus. Granted that will probably change as more heroes show up who can take on the damage dealing role that Scarlet Moon currently fills, but even so I want all the powers to be useful now. Anyway, once the new version comes out, you’ll be able to use Scarlet Paddle as a means of controlling enemy buffs (might be very useful against Prometheus and Poseidon, whose buffs are needed to use their powers). Important thing to note: spankings reduce the target’s best buff *even if the target is already Humiliated*. In other words, buff reduction stacks. This should hopefully make Scarlet Paddle a much more interesting power, and perhaps worth losing a bit of damage per round.
3. Buzzsaw’s chain pull method will be inflicting a new, more dangerous status called “Grabbed.” Grabbed reduces your character’s speed to zero, and makes you immune to Away. The second effect isn’t a big deal yet, but the first basically strips you of your defense. However, Grabbed doesn’t *keep* your speed at zero. So you if you use a speed increasing buff after Grabbed, you can regain at least some defense. Just be careful, because speed buffs don’t stack (stacking just increases the duration)!
I’m hoping to have the new content out by the end of the month. The changes above will be backwards compatible.
Spankers, Spankees and Switches,
I had several reasons for deciding to create and release first Potion Wars, and then Scarlet Moon. One of the most important (and selfish) was how very few spanking games there were out there when I started. You had the start of a few on animeotk, you had Robin Pierce’s gamebooks, and a few old AIF with some minor to decent spanking content, but that was it. I was hoping that if I could create a good enough game, other people would be inspired and would write games that I could play, much as Pierce inspired me.
Well, it looks like in at least one case, that has born fruit: Welcome to Puttsdale by Victor Mammoth. At least, according to a message from the author (I can be bribed with flattery is what I’m saying). Welcome to Puttsdale has been in development for a few years now (if you frequent animeotk, you’re probably already aware of it). It’s a text-based game written in Twine, with quite a bit of narrative depth to it. There are a lot of characters in Puttsdale all living their own lives and experiencing their own spanky drama. The purpose of the game is basically to explore the town, meet the townsfolk and see how many scenes you can unlock.
I say “unlock” because there’s much more to finding scenes than wandering around town and talking to people. Some scenes can only be found at certain times of day. Others require certain stat levels or equipment. Some are only unlocked after unlocking other scenes. It feels a *lot* like old-style adventure games where you had to wander around, discover puzzles, find items, and find clues that hint at how to use the items to unlock the puzzles (which unlock spanking scenes). The writing is also very engaging and the spanking scenes are sexy.
I only have two gripes. The first is that I’m not a big fan of the “wander around and find the spanking scene” format. Partly, this is because most spanking games currently out there (i.e. on animeotk, the only place I’m aware of where there is any sort of spanking game making community) are of this format, so it’s gotten a bit old for me. Partly, this is because I find scavenger hunts to be kind of tedious. My second gripe is that there aren’t a whole lot of opportunities to roleplay (at least that I’ve found, I haven’t gotten very far though). While the game is highly interactive, it’s more of an old-style adventure game than a choose your own adventure, and like old-style adventure games your character doesn’t really interact with people beyond a rather superficial level. Basically, your character feels kind of like the narrator from the Great Gatsby: a narrative device more than an actual character.
The first gripe however just boils down to taste. Some people don’t like RPGs either. Doesn’t mean my game is bad, or that people shouldn’t at least try it. The same applies here. My second gripe is simply the reality of hobby projects. Victor Mammoth only has so much time, and they have to be very careful about what they work on. They’ve chosen to create rich item puzzles rather than roleplay opportunities, and that’s a perfectly valid design decision. Indeed, you could argue that my game’s “roleplay opportunities” are dialogue options that do *nothing* anyway, so it’s not like my game is full of rich roleplay either. More like half-assed roleplay that’s more marketing than fact, because I’d rather write purple prose about Juliana’s bouncy bottom and develop a really weird combat system than build out more than two real choices at a time.
A recent version of the game has introduced a map that allows you to leap directly to various places in town, which had been a *major* source of tedium in earlier versions. Furthermore, this is an excellent example of the “find the spanking scene” genre. So I would strongly encourage everyone here to check it out.
As far as pairings, most of the game appears to be X/F, though you can choose your player’s name, gender and age (18-23 years old).
Spankers, Spankees, and Switches of All Ages (18 and above),
Sorry I’m so late in posting. Been kinda ignoring Scarlet Moon lately and obsessively playing roguelikes (Angband and Tales of Maj’Eyal FOREVER!). I needed a break from all the spanking, so decided to explore other avenues to satisfy my masochistic needs. But I’m back at it. I’ve got the next episode planned and I’ve started working on it. So, yay for progress!
But that’s not the true purpose of this post. After a lot of consideration, I’ve decided to make Robin Pearce’s book Master of the Manor available. I have very strong misgivings about distributing someone else’s work like this, but Pearce has unfortunately gone dark, and they’d already had Master of the Manor available for free on their website before they went dark. So I’m mostly restoring the status quo.
Besides, Master of the Manor is an incredible game. For as long as I’ve been able to write an “Hello World” program, I’ve thought about creating a spanking video game. I tried several times over the years, never really getting very far. I never really had a good sense of what a good spanking game would like. What kind of format would keep the game reasonably scoped for a personal project, but still be rich enough to be properly considered a game?
Then I found Master of the Manor. A CYOA adventure with statistics, special abilities and a keyword system for remembering past actions. An incredibly rich, immersive and *interactive* game that would be dead simple to implement in a program. Almost from the day I finished my first play through of Master of the Manor I started working on what would eventually become Potion Wars, where I learned a lot of lessons that led to Scarlet Moon. This game inspired me, and one of the greatest tragedies of Pearce going dark is that people no longer have access to it.
So I’m making the game available in two formats. One, is the classic Epub format, that should be readable on any EBook or EBook program:
Master of the Manor – EPUB
The other is in plain text: Master of the Manor – Txt
I’m a plain text junkie. It lets me read the game in my terminal, and it’s very easy to search, take in-line notes if necessary, etc. Besides, Master of the Manor doesn’t do any anything fancy. So you don’t lose anything by reading it in plaintext vs. epub, except perhaps it’s not as easy to put on an EBook Reader (I wouldn’t know, I don’t own one).
One problem with the version that Pearce released as an Ebook was that it didn’t include any links. So you’ve got to do a lot of page flipping. I’ve included a special tags file with the text version that’s been generated by ctags. If you know what ctags is and how to use it, cool. Don’t read any further. Just download the text version, open it up in your favorite editor and take advantage of all that tags goodness to jump directly to page numbers.
If you don’t know what ctags is well then read on. Ctags is an old, venerable program that lets you build an index of one or more files containing plain text. It was originally built to make it easier to jump through software code, but it can be used for any plain text (I use it to navigate Scarlet Moon’s story content for example). I’ve generated an index of all the page numbers, so with the right editor if you put your cursor on/in front of a page number, like this:
Turn to page |34, then with a simple keystroke you can jump immediately to page 34. No manual page flipping!
If you want to do that, follow these direcctions:
1. Download and install the Atom Text Editor (as an aside: I think Atom’s a bloated POS, but it’s the only text editor on Windows that isn’t Vim or Emacs *and* can natively read tags from an externally generated tags file).
2. Download and unzip the plain text version of Master of the Manor.
3. Open `master.txt` with Atom.
4. Read the book with your hand down your pants/skirt (VERY important).
5. When you reach a directive like `Turn to page 34`, place the cursor just before `34`.
Ctrl+Shift+r (I *think* it’s
Cmd+Shift+r on a Mac).
34 in the popup that appears.
8. Select the result that has just
34 on a line by itself.
Voila, you’ve now jumped to page (really section) 34.
If this is too many steps (it kinda is, really), then just read the plain text file and use your editor/Word’s search capability. Or download the epub and flip manually/use your epub reader’s search capability. Whatever makes it easiest for you to enjoy the spanky goodness.
As a final note, I will *not* distribute Dianne’s Promotion in the same way, so don’t ask. Pearce made a few noises about eventually releasing Dianne’s Promotion on the website like Master of the Manor was, but they hadn’t done so when the site went dark, and I’m not about to do it for them. If you want Dianne’s Promotion (I heartily recommend it, it’s almost exclusively spankings whereas Master of the Manor is spanking-heavy BDSM), then buy it on Amazon or Goodreads, and throw a few bucks at Pearce.
Oh, and I have a new e-mail: firstname.lastname@example.org. I’ll probably keep the gmail around for a while longer, but I’d encourage you to e-mail me at my new address instead. Google’s been creeping me out lately, and I want to get away from them as much as possible.